Writing a novel - three stages of the East

Early
In the middle at the beginning, the protagonist of the event in the first issue of the property facing and starts in the history of problems. The start will mean creating exciting events like the hero or heroine trafficking obstacle through the point of the conspiracy. His reactions to show how this obstacle, he or she grows or changes, or if he or she develop and unfold.
Do not be bored on this subject the reader with interesting pamphlets on the search is based. have at this stage, the reader really started for the protagonists and the emphasis should be placed on the main characters. Begin to show the comparison and contrast of the main characters and advice on how to address the major conflict of the novel.
should be introduced at this stage the average at the beginning of your secondary characters, developed their relationships with the protagonists. Are they friend or foe?
Packages must be performed at this time. Begin to show you refer, as the subplots, the main plot and the development of the problem.
Middle
Towards the middle of the middle, you have developed all the characters and to overcome a problem for the hero. Give the reader a break from the fast pace. A peaceful scene or two, learn the characters know each other closer.
It is a good place for an internal conflict. Just like in real life, the main character begins with a series of decisions they can do. However, at the end of the novel the protagonist is the ideal situation for only two options are. His choice of one of these will lead to the climax. But in the middle of the East, the heroine can have a number of choices. Start the options, either by his own choice or due to the actions of the other characters.
End
At the end of the East, the heroine and the hero must be subject to delays. Do you need an option to choose on an emergency call.
You (I use "she" because he says, or it is hard) should rethink their situation and the conflicts it must be treated. She is forced to reconsider what it does. This requires an internal conflict to deal with external conflicts. The protagonist must overcome the internal reaction to the outside, or maybe she is reacting overcame the outside, which gives him the power to the internal.
Solve a sub-field or two, so the solution contributes to the final climatic conditions. At the end of the East, is the heroine face another plot point. In any case, it must compel the protagonist to choose between two options. Make it intense and dramatic here. It moves you into the end of the novel.