novel story - Creating the narrative tension in a novel

narrative tension is the tension of the characters in a novel idea in the balance, and unmet needs and circumstances. That is why it is so important, offering the promise of a story in a dramatic context, so that the narrator creates characters, a necessity to act and to act in spite of the obstacles are. As characters get in a story out of what they want, are blocked, they experience the narrative tension. If it increases the pain to gain something of a character (because the story / storyteller increased barriers) increase a character in a story experience, the narrative tension.
In a word, it creates a storyteller is a character, he can not refuse, because to act in the costs of inaction, but there are also paid a price for action.
Romeo in Romeo and Juliet is an excellent example of narrative tension. The law on his love for Julia to turn against his clan and family, not on his feelings for Juliet act is his sense of hurt, what is important to him. But every action he takes his pain increases.
Romeo is a great character because it is impossible for the death of the Block of Julia are.
A novel (or memory), the narrative lacks tension not to convince. It may occur episodic events, but there is no tension about the outcome of these events. Act characters, but there is no voltage generated by their actions.
Submit tension for the characters is only the first step in creating narrative tension. The second step is to write about this tension in a way that the characters will be transferred from one story to the audience a story. Therefore, the introduction of the promise of a story is about a question of the necessity of the people is so important. If a history of public identification with characters in the story and the objectives that led the public to know the voltage, to internalize, when a character is meeting its objectives can be achieved.
Although a large plot can help an audience hanging around to find out what happens when an audience has the narrative tension of a story that the audience must feel to a resolution of the history and development internalized the tension created by the narrator to . relieve
The higher the voltage, the more persuasive novel.
Therefore, the fulfillment of the promise of a story from the scene be fatal. This deficiency can lead to low or lack narrative tension.
Generation of narrative tension, it begins with the first sentences of a novel or a story.
narrative tension can be compared to an electric current through a story. The low current, less a story before an audience. The greater the current, the greater the public participation.
When I worked with or talked with him agents, a lack of narrative tension is the main reason for the rejection of novels.
Another way this problem in the narrative tension ...
What is your main character like that, your story begins ...
and ...
... What prevents him from what they want?
Externally and internally?
If nothing stops a character, there is no drama about the progress of history. There is no reason for a character to feel all the tension, or a story to the audience to get the voltage to a character, what they want to feel.
Another way to create tension is a story with a character in a dilemma (which begin with the substance of internal or external). If an event is to act plot forces the character to solve their dilemma, the story begins with a question - what will the sign - and moves in the direction of an answer to this question.
If this solves the dilemma of the origin, but creates a new, larger problem that requires a further step, the story continues to grow.
Because of the resolution will go to the character of the story to be a change of mood.
When a character does not go through a change of mood (or understanding), nothing has touched. If something in one scene a character strikes, it can be difficult for what the impact of a hearing takes place. The exception is of course that the narrator a character to be unconscious when they do something that the public will be affected.
When a character makes a bigger problem faces, they should have a new, different state of feeling.
This feeling may be included in an action (one character screams, knocks, or to, or stammering, etc.) or it can be brought through the dialogue expressed.
This simple process is evident in the Harry Potter books. If it is good (done Harry's world is filled with dilemmas in progress), the effect is to draw the audience forward.
Dilemmas in Harry've's world, many faces - Harry want to go somewhere with his friends, but can not because he is in danger - Harry has many powers, but when he used to defend the Dursleys, he will risk his powers taken away.
Many stories I have read action, issues and things are resolved, but the deeper problem of how compelling the story.
Just to clarify this point, a character in conflict with yourself and with something external to them. The Hunt for Red October, Ramius has throughout his life to the way the Communists treated their home bubbled. Only with the death of his wife that he can act to this feeling by the punishment of the Communist Party (while his wife was still alive to overcome, he could not act without danger). To further Ramius on the edge, he accused the Communists of the death of his wife because of a botched operation.
Once the inner tension is established (and sometimes called), especially as the story progresses it Ramius must overcome the forces arrayed against. But the transfer of this inner tension in the hearing has already taken place.
A good understanding of how folk tales and storytellers create a narrative tension can be a great teaching tool.