The antagonist in the drama: What makes them so powerful

I learned a lot about us bad Latin soap operas on television, called telenovelas. Telenovela writers like the bad boys and girls, and they call or malvados malvadas. Viewers also love soaps with anti-heroes really horrible, and keep the authors make more and more frightening than soap progresses. Sometimes these wicked get so bad that they are mad at the end.
To be precise, these characters are just evil. Villains and Villainess can be very different from the true antagonist, because the real villains cartoon characters eventually be suspended only bad side.
The classical antagonist, are also used to a confusing sign because something in his past that makes him self-destructive and were all negative qualities like jealousy, greed, pride, narcissism and jealousy.
In real literature, but not with the undesirable characteristics are not necessarily build a real opponent. The strength of character antagonists depends only on their values and goals that are directly contrary to those of the protagonist of the story. This is because the purpose and activities of the antagonist of the story on the purpose and activities of the protagonists varied.
can be an antagonist of success sympathetic and identifiable by the reader. Her features are appealing, even if they are bad, scary or embarrassing. It is original and funny. His motivation may be personal reasons or profound developmental arrest. He may have the same love interest that the main character or his love interest may object to the love interests of the protagonists to fight.
It is important that the antagonist allies in history, is its purpose or mission, and his internal conflict or state of mind the forces that oppose the protagonist.
While drawing, should not the character of opponents, a good writer of fiction, remember that the quality of his story directly proportional to the quality of his opponent. Although the main character is perfectly drawn, it must be balanced with an equally strong opponent against each other.
Does this mean that the enemy must be in human form? Certainly not. An antagonist may be a concept or a common conviction. For example, the possession or may be affected antagonistic, so long as they are given enough, the dramatic force of the writer.
Thanks are given a different practice of fiction, a concept or belief, a human form.
The opponents, sometimes more than one person, or his presence is alluded to in the story as much as possible. It causes more conflict for the protagonist of the story. The antagonist to thwart not only the main character, but also attempts to confuse, deter, or destroy targets outside of the main character and the economy.
A leading practice in the preparation of antagonists is to try to understand the nature of man and see the causes in each other actions. To achieve this goal, a writer can for each person with compassion and view it as a unique and valuable human being. Then, as an exercise, the author - in his mind - take from that person and exaggerating his faults.
The attempt to recognize human behavior as closely as possible, a writer can be true of every opportunity to take all kinds of people from different walks of life to life. It can read psychology journals and personal advice columns, magazines and newspapers and listen to the radio and live TV. In addition, the authors use their personal experiences with others, to remain cautious away from stereotypes.
In short, a writer who specializes never forget this: every temperament, character or quality of work for an antagonist, as long as his opposition to the protagonist directly proportional to the objective and task of the protagonists.